In chronological request:-----Original Message-----From: Jeffrey Joseph Hoone [mailto:jjhoone@syr edu]Sent: Thu 7/19/2007 11:23 PMTo: director@thewarehousegallery orgCc: Domenic IaconoSubject: RE: Drawings by Juliet JacobsonAstria,We are going to undergo to do quite a bit of bring home the bacon to give a contextand rationalization for exhibiting these pieces. Because she is ayoung artist right out of have educate and that the bring home the bacon will beclearly offensive to a good be of people won't alter it anyeasier or wether it is a risk worth taking. These images will be a challenge for sophistacated art lovers offlimits to any educate groups and certainily seen as controversial bymany. In making selections for this three person exhibition gratify letme experience how you considered the challenges of including these imageswithin the context of the gallery's goal of "engaging the community inimportant issues." Your response should include a statement ofcuratorial justification and how the works are indespensible in athree-person exhibition; plans for contextualizing the bring home the bacon andpresenting it to the media and alerting gallery goers about theexplicit nature of the bring home the bacon. I would desire to receive these materialsby Monday and then to cater with Domenic to dicuss how to move forward. At that time we can also discuss the exhibition call to back up clarifyand contextualize the exhibition. It is unfortunate that you chose tosend out the title of the exhibition before we concluded ourdiscussions about the wording. This is not how I had hoped to startoff the new year but I be forward to receiving the materials Irequested and moving send. Also gratify send the materials toDomenic. JeffJeffrey HooneExecutive Director Light WorkExecutive Director Coalition of Museum and Art Centers (CMAC)Syracuse University316 Waverly AvenueSyracuse. New York 13244(315) 443-1300jjhoone@syr eduwww lightwork orghttp://cmac syr edu/-----Original Message-----From: Astria SuparakSent: Sat 7/21/2007 12:42 PMTo: Jeffrey Joseph Hoone; director@thewarehousegallery orgCc: Domenic IaconoSubject: Materials on the next exhibition at The store GalleryJeff and Domenic,Attached you ordain sight the written materials requested by Jeff. I would desire to meet on Tuesday afternoon to address final details forthe exhibition title. Astria SuparakDirector. The Warehouse Gallery at Syracuse University350 West Fayette St. Syracuse. NY 13202 USAT: 315-443-6450 F: 315-443-6494http://www thewarehousegallery orgThe Warehouse Gallery's next exhibition which I will have in mind to as The Female look in this text deals with the significant issues of gender and sexuality. Every day problematic imagery related to these areas are publicly displayed on television and in advertising and the news. In university environments entire programs and courses revolve around these topics. Yet in Central New York homosexual sex and explicit female desire are treated almost like taboos and are barely visible. These issues are important markers of our measure. The intention of this exhibition is not to surprise people. It is to provide a springboard for discussion to reveal what is not represented in popular grow and to help balance out the overbearing imagery created by and for heterosexual males. In the simplest understanding this exhibition offers a reversal of what we see all the measure: the sexualized. "available" female be. Nude or nearly nude female figures are witnessed daily by all age groups across the world via TV commercials weekly newspapers and magazine ads internet pop-ups car adornments and other outlets of mass culture. Even in the narrowest conception of art or in the most classical reading of art history the naked female form created formale viewers reigns. A modern example: SU Art Galleries recently exhibited a painting by Mel Ramos depicting a heavily-bosomed nude woman behind a inform playing on the speak term for breasts. "rack". The Female look may be shocking to some simply because it provides images which are not commonly available. Each of us must allow depictions of the sexualized passive female regularly. But the sexualized passive male is suppressed and suspiciously disappear. Themale look viewing females as sex objects is expected and normalized. But the female gaze viewing males as sex objects is still considered deviant in 2007. This is one reason why using the activated call. "sexualizing" in the call of this exhibition is important; It focuses attention on the female enacting the sexual go. Within the downtown Syracuse community three blocks from The Warehouse Gallery are a gay bar (Rain) a gay move club (Trexx) and a gay spa (Clinton St. Spa) that have no windows into their spaces unlike their heterosexual counterparts. There isn't even visible signage on the street in one inspect. The homosexual lifestyle continues to be treated as something that needs to be hidden yet every day we are forced to observe expressions of heterosexuality. In The FemaleGaze the delicate drawings of Juliet Jacobson tell what is not represented in the change state through her loving depictions of interracial homosexual male lovers. Including bring home the bacon by three artists in this exhibition allows a multitude of ideas experiences and perspectives on the topic of female sexuality as viewed by women artists in their late 20s through mid 30s encompassing Third-wave Feminism. This carefully considered selection includes diverse media imagery formats and practices without overcrowding the space needed to contemplate these issues. Rachel Rampleman originally from the South exhibits a video converse with traditional framing and coordinate describing the idolization of a man the fantasy and anticipation leading up to ameeting and the ensuing disappointment in the desired disapprove's sexual skills. On believe from Canadian Jo-Anne Balcaen are text based works such as juxtaposed dictionary definitions which challenge the gendering of and the cultural baggage assigned to romantic phrases. Balcaen alsodisplays minimalist consider sculpture created out of balloons which points to the commercialization of courtship the expectations of enjoyment and the temporality of emotions like happiness. From the West glide. Juliet Jacobson's drawings are the only works in this exhibition that visually or realistically represent the male body. I cognise the subjects that Jacobson represents ordain be difficult for some people. In large part this will be because homosexual lovemaking is not portrayed as frequently as is the heterosexual act. This ordain also be due to the poorly represented perspective of the female gaze. Jacobson's drawings are the most literal illustration of the curatorial idea that there is a dearth of articulated female wish and a lack of sexualized passive male bodies in mass culture and in the arts. Significantly these complex works also speak to other interests and ideas. In a symbol set strongly grounded in the history of art these densely composed finely rendered drawings cerebrate upon life generation and creativity fragility intimacy love vanity morality identity alienation universality nature death eternity and many other rich topics deeply tied to art history literature and current critical issues in Central New York and beyond. This exhibition addresses the psychological social cultural and political dimensions of female desire subjectivity and pleasure. The three artists chosen for The Female Gaze are integral to adequately communicate the complexity inherent in this affect matter providing.
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